Metaphysics of a Winter Landscape (1991). Painted and Patinated Bronze, Brass and Copper 47 x 80 x 19cms
(Full Text)Studio Bench with Pink Form (2002). Painted and Patinated Brass, Bronze and Aluminium 88 x 60 x 28cms
(Full Text)Rock and Stars (1997). Painted and Patinated Brass, Bronze and Stainless Steel 2045 x 975 x 50cms
(Full Text)Commissioned for City Recital Hall Sydney (1998). Painted Brass and Aluminium 400 x 200 x 50cms
(Full Text)Journey I, 2 and 3 (2021). Painted and Patinated Brass, Bronze, Wood and Marble 59 x 100 x 8.5cms
(Full Text)Two moons - Two rooms (1996). Painted and Patinated Brass, Copper and Aluminium 242 x 120 x 10cms
(Full Text)Remains of a Rock Wall (1991). Painted and Patinated Bronze, Brass and Copper 30 x 38 x 8cms
(Full Text)Commission, Orlando, Florida, USA (2004). Painted and Patinated Brass, Bronze, Stainless Steel and Aluminium 440 x 190 x 50cms
(Full Text)Studio Landscape (1994). Painted and Patinated Bronze, Brass, Copper and Aluminium 140 x 100 x 27cms
(Full Text)India Song 3, Yellow (2011). Patinated Marble and Brass 30.5 x 26 x 15cms; India Song 3, Red (2011). Patinated Marble and Brass 42 x 32 x 15cms; India Song 3, Pink (2011). Patinated Marble and Brass 19.5 x 19.5 x 14.6cms; India Song 3, Brass (2011). Patinated Marble and Brass 28 x 27 x 15cms
(Full Text)India Blue (2011). Marble 22 x 18 x 18cms; India Yellow (2011). Marble 40 x 40 x 10cms; India Red (2011). Marble 22 x 25 x 22cms
(Full Text)Red Square (2006). Painted Steel 210 x 210 x 210cms
(Close Text)
The red square holds personal significance, and while I acknowledge its history, I prefer to approach it from a creative standpoint rather than delve into the well-trodden path of political symbolism.
The works of Russian constructivists like Malevich and El Lissitzky and the writings of Aleksei Gan were often discussed and referred to by lecturers during my time at the South Australian School of Art and left a strong impression on me.
Reflecting on my artistic journey, I emphasise the importance of starting with a blank slate and working through the creative process. Despite exposure to various artistic narratives and histories, my approach is still rooted in personal exploration and reinterpretation. I often find myself revisiting contemporary art, drawing inspiration from the present while navigating the intersection of urban sculpture and art history.
Red Square (2006). Painted Steel 210 x 210 x 210cms